![](\"https:\/\/repmus.ircam.fr\/_media\/jacquemard\/photo-florent.jpg?w=100\")
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Florent Jacquemard<\/a>, \u00e9quipe RepMus<\/a>, INRIA et IRCAM<\/p>\n L\u2019information musicale est stock\u00e9e et trait\u00e9e sous des formes vari\u00e9es: des enregistrements audio \u00e0 des repr\u00e9sentations symboliques plus abstraites et compactes telles que les partitions. Nous aborderons certains mod\u00e8les et algorithmes en usage pour des probl\u00e8mes d\u2019extraction musicale (MIR) symbolique tels que la transcription, la recherche d\u2019information et l\u2019indexation, l’analyse musicologique ou la classification. Florent Jacquemard, \u00e9quipe RepMus, INRIA et IRCAM L\u2019information musicale est stock\u00e9e et trait\u00e9e sous des formes vari\u00e9es: des enregistrements audio \u00e0 des repr\u00e9sentations symboliques plus abstraites et compactes telles que les partitions. L\u2019\u00e9mergence de formats num\u00e9riques standards pour la notation musicale permet le d\u00e9veloppement de techniques efficaces d’analyse de contenus musicaux symbolique \u00e0 grande \u00e9chelle. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25"}],"version-history":[{"count":3,"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":64,"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=\/wp\/v2\/pages\/25\/revisions\/64"}],"wp:attachment":[{"href":"https:\/\/projects.lsv.ens-paris-saclay.fr\/confsrentree\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nL\u2019\u00e9mergence de formats num\u00e9riques standards pour la notation musicale permet le d\u00e9veloppement de techniques efficaces d’analyse de contenus musicaux symbolique \u00e0 grande \u00e9chelle.<\/p>\n
\nNous verrons en particulier le r\u00f4le cl\u00e9 que peuvent jouer dans ce cadre des mod\u00e8les de langages. D\u00e9finis par des automates ou grammaires formelles, ils repr\u00e9sentant une connaissance musicale a priori utilis\u00e9es pour guider le traitement de donn\u00e9s musicales.<\/p>\n","protected":false},"excerpt":{"rendered":"